LYR-ROCK Compression Stompbox Effect Rock Effect Pedal For Electric Guitar Effector
Dual Press Stacked Version Original Cologne
Here is a brief introduction to the function knob which is more convenient for brothers to adjust to their own needs.
desired tone
IN: IN is the gain of the studio-grade input preamp . This preamp feeds the front end of the first compressor and turns the 1 control clockwise to increase the amount of compression. As the gain is increased, the guitar will become more and more sensitive. Too much gain and the preamp will clip and distort. At lower gain settings, compression is very important because most of the signal going into the first compressor stage is below the compressor’s internal reading. The signal level must exceed this threshold to initiate gain reduction. Therefore, at lower gain settings, only the signal peaks are imprinted.
ATEREL1: This control sets the attack and release characteristics of both compressors in the pedal simultaneously. These parameters determine how long the compressor takes to react to the signal and initiate a gain reduction (attack), and how long the gain reduction lasts before the compressor returns to idle (release).
With the Att/Ra| knob turned clockwise, the compressor has a slow attack and a quick release best suited for percussive performances. The slow attack allows the initial transient of each note to avoid compression, thus emphasizing your attack of choice, while the quick release means the compression cam recovers in time for the next note.
Turning counterclockwise, the compressor has a quick attack and slow release, providing a smoother, more “sponge” feel. A quick attack means the entire note is compressed, providing a more even gain reduction, while a slow release means the gain reduction will taper off gradually, without the sudden “pumping effect.”
THRU: The THRU control sets the signal level from the output of the first compressor to the input of the second compressor. Like the I knob, this knob in turn determines the amount of compression applied by the seconds compressor.
Turning the Tru control counterclockwise attenuates the signal leaving the first compressor, dropping it to the second
Below the reading value of the compressor, reduce the amount of compression. Turn the lever clockwise to increase the impact on the second compressor and increase the amount of compression.
ATTREL & this eontra| set the attack and release characteristics of the second compressor. Like the attack/release control of the first compressor, it ranges from fast attack and slow release (counterclockwise) to slow attack and fast release (clockwise)
DRY: The DRY control changes the amount of dry, uncompressed signal that appears at the output signal, mixing the original, unaffected signal with the compressed signal. You mean adjusting the balance between compressed and uncompressed signals, by adjusting the corresponding 0ut and Dry sections.
0OUT: The OUT control determines the level of the output signal at the pedal. This can be set in ander to keep the effect level of eweral I close to the dry (bypass) signal. Alternatively, the level can be raised
to help project guitar solos
There are no reviews yet.